Alberto Carlassare (1986), born in Italy, developed a great passion for music and the arts since he was a child. He graduated in 2009 in Disciplines of Arts, Music and Performance (DAMS) at the Faculty of Arts and Philosophy of the University of Bologna, Italy, with a thesis on music in the Gospel of Matthew according to the Gospel of Matthew. The Gospel according to Matthew by P. P. Pasolini. Fascinated by cinematographic storytelling, he moved to Spain to specialize in sound at the Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid (ECAM), where he discovered, cultivated and developed a sensitivity for sound design and an interest in sound storytelling.

Since then he has worked on a multitude of projects performing different functions in the world of audiovisual sound and currently works as a freelance in feature films, series, documentaries, experimental cinema, short films, advertising and video art.

Some of the most outstanding works that bear his imprint are the sound design from The Year of Discovery (2020) by Luis López Carrasco, winner of the Goya 2021 for Best Documentary Film, Of Horses and Guitars (2023) by Pedro G. Romero, H (2022) by Carlos Pardo Ros, The Mutants (2015) by Gabriel Azorín; the sound mixing of feature films Infinite Summer (2024) y Crumbs (2015) by Miguel Llansó and the sound post-production of the documentary series UMMO. Alien Spain (2022) by Pousa&Olivera, for Movistar+, of the documentaries What we used to do in the shadows (2024) by Sara Moralo, Contemporary History of Cinema Spain (2023) by Pedro Burgos Barrantes, Viu, viu, viu, Mr. Corberó (2018) by Diego Postigo,, More than just a passion (2014) y At La Ruina (2020), by Carlos Troncoso Grao. It has been head of direct sound of Pablo Hernando’s feature films A Whale (2024), Quinqui Stars (2018) and the series UMMO. Alien Spain (2022) for Movistar+ and Small Coincidences (2018) for Amazon Prime.

For other studios he has worked as sound editor in feature films The Almond & the Seahorse (2022) by Celyn Jones and Tom Stern, Saturday Fiction (2019) by Ye Lou, Your Child (2018) by Miguel Ángel Vivas, Money (2016) by Martín Rosete, People You May Know (2016) by J.C. Falcón and the series Air Kisses (2021), Sand Promises (2019), 35Awr (2019), Presumed Guilty (2018); like dialog editor of the series Mothers. Love and Life . He has been in charge of the sound design from ClanTV cartoon series Sendokai: Champion Challenges and Mutant Bustersof video games The Fall of Lazarus by No Wand Studios, Reservoir Dogs: Bloody Days of Big Star Games, Immortal Redneck of Crema Games, Megamagic: Wizards of the Neon Age BeatiFun Games or advertising campaigns for Fiat, Nike, Samsung, Once, Sony, Phillips, Mahou among others.

In addition to a long experience in short films, he is in charge of the sound design of artistic pieces for installations in museums and galleries.

Since 2018 he combines his profession with the dissemination of audiovisual sound through workshops, seminars, texts, interviews at events such as the Malaga Festival, Novos Cinemas, Documenta Madrid or online platforms such as Filmin and his commitment to the training of new professionals as a sound teacher at ECAM.